15 August 2011

Reupload - Yossarian - Gilbert and George/ They Are Naked and They Move

Yossarian - Gilbert and George

Label: Satellite
Year of Release: 1998

You've got to move fast to catch Gilbert and George, they're fit old geezers...

Somewhat strangely, "Whatever happened to Soho?" is a question I've encountered on the Interweb more times than I ever really expected to. I'm not referring to the region of London, either, but the one hit wonders who sampled the Smiths "How Soon is Now?" on 1990's "Hippychick". It seems to be appreciated much more in retrospect than it was at the time - now the sneers of "cheap cash in!" appear to have given way to an appreciation of the single.

One small part of the puzzle can certainly be solved via this blog entry, because band member Tim London moved on to this particularly bizarre electronic project Yossarian. Unlike Soho, it was an utterly hitless and frankly rather unusual venture which slipped out largely unnoticed ten years ago, and you'd still be hard pressed to find anyone online who cares.

That's not to say that the general public are necessarily always right, of course, for whilst I find "Hippy Chick" to be a faintly irritating piece of fluff, "Gilbert and George" has wit, originality, and sonic scariness to spare. The tribute to the notorious British artists is lyrically a bit baffling, but somehow pleasing all the same with its carefully phrased but randomly tossed around references to "slightly scuffed shoes", men dressed like Mr Chips, and being stalked by the artists in question down London streets (an image which is probably meant to be worrying, but I find quite pleasing for some reason). It is backed up by primitive electronic noises, deep, stomach churning groans and oscillating whoops, and a basic, lo fi backbeat. It screams "home made", but still sounds more adventurous than most big league productions.

It's also a double A side, and the other "A" on offer here, "They Are Naked and They Move", is five minutes of Krautrock rhythms, guitar freakouts and retro space age noises. It's not as good as its partner, but certainly dominates the room impressively as soon as you slip the needle into the grooves.

And if you're still wondering what happened to Soho after "Hippychick", look here for something I uploaded some time ago:

Update: Tim London got in touch with me to assure me that, in fact, Soho were alive and well and an ongoing venture (or at least were in September 2008 when I originally put this entry online). Their site can be found here.

Tim added: "Yossarian hung up his boots after a few albums/ EPs etc for Satellite/Soul Jazz. Fabio, who played drums, has a beautiful piece of vinyl out with his group Washington Rays. Kirsa, who played Transcendent 2000 and glock, is a mum in south London. She was (is?) also the vibes player with proto Arcade Fire-ish Copenhagen.

I'm back doing pop music as a producer after a break to make films (the feature-length Gordon Bennett would probably qualify for this site, if it was a film site). Look out for Young Fathers (hip hop boy band from Scotland) and Her Royal Highness, also from Scotland."

Tim also offered to help me get the above video unblocked on YouTube, which is more than I should really expect from somebody whose earlier work I harshly dismissed as "irritating" in the original blog entry. He is, therefore, officially a good chap.


VanceMan said...

Thanks for re-posting this.

I'm another one of those "Whatever happened to Soho?" types, except I remember a follow-up album with a gay revisionist version of Serge Gainsbourg's "Bonnie & Clyde" called, I think, "Jacques & Ahmed." That album has long disappeared from my collection.

Reimer said...

Still brilliant 12 years after hearing it on 'Mixing It' whilst in a caravan in South Wales (I ordered it as soon as I got home).

The b-side's title was lost on me until I saw Charlie Endell using the phrase to entice punters into his strip club in 'Budgie'.