Year of Release: 1966
The Fenmen were actual proper pop stars (loosely speaking) for awhile, acting as Bern Elliott's backing group for the 1963 hit single "Money". Having a chipper Merseybeat feel to their records (despite actually hailing from - wait for it - Kent) they sounded as if they could have been one of the upfront beat groups of the time, but "Money" aside, they didn't actually sell many records.
Bern Elliott eventually jumped ship to work with other musicians, leaving Alan Judge, John Povey, Wally Allen, and Eric Wilmer to their own devices. They opted to take a Californian turn with this record, doubtless feeling that having aped the Liverpool sound there was no reason why they couldn't also impersonate Brian Wilson and company. It's a convincing job, actually, albeit one which seems to lack enough of a powerful chorus, but there's no question that it's the sound of strong musicians with an admirable flexibility to their approach, able to harmonise and perform summery pop as well as tough R&B tracks.
After this failed, Allen and Povey moved on to join The Pretty Things, getting involved right at the point where their sound was about to undergo a huge evolution and playing on the legendary "SF Sorrow" album. Neither "Rejected" or "Girl Don't Bring Me Down" hint towards that much, but it's easy to understand how they might have been regarded as a good fit for the band's next phase.
The more eagle-eyed among you may have spotted from the label scans that this isn't an original copy of "Rejected" and looks suspiciously like a bootleg. You're right. It is. I wouldn't have put it high on the list of in-demand rarities crying out for a bootlegged 7" reissue, but what do I know?