Reupload - Academy/ Polly Perkins - Munching The Candy/ Rachel's Dream

Uh-oh. Dot Cotton's sister off "Eastenders" has been taking special tablets. Someone alert Doctor Legg.

Label: Morgan Blue Town

Year of Release: 1969

Life wasn't easy for independent labels in the sixties, and Morgan was no exception. Constantly dealing with shambolic distribution networks, very few of them scored hits. President Records broke the mould in the later part of the decade, but Joe Meek's struggles with Triumph and the financial struggles experienced by Strike Records spoke volumes about the hurdles many truly independent businesses had to deal with.

Far from being just an independent label, though, Morgan was also a large and well-respected recording studio in North London, with an in-house session team of musicians and songwriters who regularly bypassed the Morgan label and licensed their product to majors (The Smoke's "My Friend Jack" probably being the most famous example). The best Morgan recordings, such as those by The Smoke, Bobak Jons Malone and Fortes Mentum, were compiled on a superb Sanctuary Records release called "House of Many Windows" some years ago. This is now out-of-print, but copies are well worth tracking down - the team had developed a distinctive and actually incredibly agreeable sound by the late sixties, filled with tricksy and classical inspired arrangements, a low-end bass fuzz, and peculiar woozy but nonetheless poppy psychedelia. Whereas a lot of other psychedelic pop of the period sounded like the melodic equivalent of cheap Christmas cracker toys, Morgan took their mission seriously - in anyone else's hands, a track like Fortes Mentum's "Saga of a Wrinkled Man" would have possibly sounded cheap and nasty. Not for no reason did one prominent Morgan man Will Malone go on to become the arranger for The Verve in the nineties (and it is just about possible to hear the similarities if you really try).

Morgan Blue Town was an incredibly short-lived offshoot of the main label which attempted to reposition their product in a more progressive vain, appealing to the hippy and student markets. Any recordings on the label tend to be hopelessly scarce now, including this single by actress, Ready Steady Go compere and singer Polly Perkins.

This is actually a somewhat threadbare inclusion to their usually heavily produced catalogue. Polly Perkins had failed to score any hit singles in her music career, but was nonetheless a "known name" at this point who had already put out some commercial sounding grooves - so her sudden shift to progressive sounding music must have seemed bizarre at the time, a bit like Twinkle suddenly going a bit way-out and boarding the weed bus to rural Cambridgeshire. Nonetheless, "Munching The Candy" is a very folky, campfire effort which nods and winks in the direction of naughty drug-taking behaviour. "Rachel's Dream", on the other hand, is a rather more epic B-side which considers the plight of the Jewish people. No, really.

Tommy Eytle (Gramps off Eastenders) - A Christmas Tree From Norway/ Roehampton Was Her Name

Calypso musician and actor with strange late-period single

Label: Double AA/ Airborne

Year of Release: 199?

Here's an odd 45 which presumably has some kind of back-story, but one that doesn't seem to be documented anywhere. In fact, the record label doesn't even offer the year of release.

Tommy Eytle is probably best-known for playing the role of Gramps off Eastenders, which he held from 1990-1997. He was introduced as part of the Tavernier family, who were parachuted into the soap to balance the diversity of the cast (prior to that point, the cast of "Eastenders" didn't even come close to representing the mix of cultures in the East End, and indeed it could be argued the series still doesn't. We'll save the debates about mainstream soaps holding an accurate mirror up to their local worlds for another time.) 

Prior to this major acting role, however, Eytle was also a respected jazz guitarist and calypso singer who gigged at numerous clubs up and down the country, as well as performing the "Narrative Calypso" in the film "The Tommy Steele Story" in 1957. 

His "Eastenders" role also occasionally afforded him the chance to have a good old-fashioned singalong in The Queen Vic, and perhaps that's why this single emerged. Or there was possibly another reason - the "Gordons of Langford Play" credit at the bottom of the label seems to point towards an acting job in either a local community or fringe theatre production. 

Tom Watt - Subterranean Homesick Blues/ Guess I Had Too Much To Drink Last Night

Lofty out of Eastenders covers Bob Dylan. No, really. 

Label: Watt The Duck

Year of Release: 1986

It sometimes felt as if the Beeb had something written into everyone's "Eastenders" contracts suggesting that if asked, they were legally bound to release a single. Michelle Gayle, Nick Berry, Martine McCutcheon and Anita Dobson were the biggest chart-botherers of the cast, but in addition to those, Sid Owen (aka "Ricky"),  Sean Maguire, Letita Dean, Paul Medford and Sophie Lawrence all had cracks at the Top 40 to varying degrees of success. 

Besides the obvious examples above, there are a few peculiar outliers. Peter Dean's "Can't Get A Ticket (For The World Cup)" single is a howler I'm sure the actor is glad has been largely forgotten, and Tommy Eytle - who played Gramps - put out a Christmas reggae tune called "A Christmas Tree From Norway" which seemed to escape everyone's attention even at the time.

This, though, takes the last custard cream from Dot's biscuit barrel. Tom Watt, who played the put-upon character Lofty, was never actually asked to release a single by a proper record label. Instead, he allowed some musician friends of his to talk him into paying for a recording session and releasing a record himself on his own label. Presumably they anticipated a minor hit and a pleasant amount of royalties trickling their way.