Showing posts with label Peter and Gordon. Show all posts
Showing posts with label Peter and Gordon. Show all posts

8 April 2014

Identified Flying Objects - The Kytes (and Eddie King)























At least since the eighties when they were first compiled on to the "Rubble" compilation series, The Kytes have been something of an enigma. As stated in the liner notes for Volume 10, The Kytes did indeed once act as Peter and Gordon's backing band on tour, but little more than that was ever revealed about them. This seemed something of a shame, as the slow hammond groove of "Running In The Water" and the mournful folk-pop existentialism of "Frosted Panes" were both early popsike discoveries for me personally, and doubtless many other people besides (A VG condition copy of "Running In The Water" sold for £64 on ebay last week).

I was absolutely delighted and surprised when ex-Kytes man Eddie King got in touch with me through the blog recently to fill in the blanks and explain the bands history, even including a few photos and mp3s of a solo single of his. With his permission, I'm reproducing his story below. 


















(photo: Eddie King and Freddie Allen)

Originally we had a band formed at school in Bristol in around 1960 called Ricky Forde and the Cyclones. This consisted of 5 guys, Ricky, myself, Freddie Allen, Julian Bailey and Roger Jones, By the following year we were working 5 nights each week all over the South West and beyond and went to work in Hamburg in 1962/ 1963. As I am sure you know, a lot of Liverpool and London bands were working there then and it was really where the whole British 60's thing started, so we got to work with lots of guys who subsequently became very well known.

In 1963 the 5 piece split and I continued with Freddie and Julian as a 3 piece band and got booked in 1964 on the same show as Peter and Gordon at a big variety club in the North East ( these clubs were big then!). They had a record, 'World Without Love' which had just hit number 1 but they didn't have a backing band and were basically two guys sitting on stools with guitars. They asked us to back them so we told them "OK, if you stand on stage"! The upshot of this was that we became their backing band from then on.



(photo: Eddie King and Peter Asher on a bullet train in Japan)

I travelled all over the world with them for the next two years and played on all their records as well as recording with many other mainly 'Abbey Road' artists. The other two guys played in the backing band in the UK and Europe. During this time I released a couple of singles under my own name, no UK hits but had a number 5 in Japan!

So, in 1966 the work with them was slowing so the three of us tried a record together as The Kytes which was "Blessed/ Call me darling" (with Dave "Dobie" Gillis on bass). I can't remember how we signed to Pye but I think it was down to knowing some people there in A&R and just taking the record in.

"Frosted Panes" was one of my songs and was recorded at Pye studios. The B side was a song written by Roger Cook, an old friend from Bristol, who was responsible for Blue Mink. Roger was on the session and sang harmony on the track.

"Running in the Water" was, however, a different line up - myself, Julian on drums, John Peters on bass and Pete Robinson on hammond ( yes the guy who went on to be a prolific film score composer and who was Phil Collins keyboard player for many years). The B side was "End of the Day" which featured some cracking organ stuff.

From memory I think this line up did a few gigs, mainly London college venues and went our separate ways.

Sadly, Julian passed away in the 70's, Freddie Allen and Gordon Waller a couple of years ago. I spent a further 20+ years in the music business mainly as a session player and band leader and played with lots of well known acts over the years. I finally quit in 1990 and haven't worked as a musician since although I have a studio at home and still write stuff and have had a few TV sig tunes and a couple of commercials. By pure fluke, I received a (small!) half yearly payment yesterday for some of the 60's Abbey Road recordings- still amazes me after 50 years. I'm still in touch with Peter Asher who, as I'm sure you know, became a top producer and manager with James Taylor, Carly Simon and many others.

As for The Kytes, typical for the time, nobody ever received a penny even after the compilations which I recently discovered.

I asked Eddie King a bit more about his solo hit in Japan.

The record was called 'Always at a distance' released on Columbia.

When we arrived in Japan I didn't have any idea that it had been released there leave alone getting into the top 5. We hurriedly changed the show so that I did a 15 minute solo spot first half.

Important to remember that the only band to have toured there had been The Beatles several weeks before and Peter and Gordon arrived shortly after.

While we were there the office in London urgently wanted a B side for my next single which was to be 'I Wanna Love her so Bad', so we went into the Toshiba studio in Tokyo to cut a track. The studio was dire and the result sounded less than good. (Toshiba was an EMI subsidiary).  Against my will the cut was used as the B side on the next UK release.

Interesting maybe, the A side had The Breakaways and a younger than me bass player who got booked on the session called John Paul Jones - do your own research!






















A total delight to hear from Eddie and finally resolve a long-standing mystery, and attached in the Box below is the solo single he mentioned above "I Wanna Love Her So Bad", which was an unknown piece in the Kytes jigsaw puzzle for me until last week.

If any other bands have spotted themselves on "Left and to the Back" and want to get in touch to plug any gaps, please do - and please don't think nobody is interested, because I certainly am, and plenty of other people read this blog who also enjoy having these riddles resolved. 

15 November 2008

Peter & Gordon - Hot, Cold & Custard

Peter & Gordon Hot Cold & Custard

Label: Capitol
Year of Release: 1968


He buys sweets for little children/ and they refuse him... He's my old Uncle Hartington/ he needs us, we don't need him/ There goes the doorbell/ Oh, don't let him in..."

This album has been under a lot of discussion on the Internet forums recently as being a "great lost classic" (it remains unavailable on CD) and whilst I'd love to join in with the jumping up and down, I have to forewarn you that if you press play expecting such wonders you may end up sorely disappointed. Really, I feel that this deserves to be filed under 'interesting' rather than 'classic'.

"Hot, Cold & Custard" is, it has to be said, a fantastic period piece, but frequently borders on the kitsch. Right down to the sleeve design, I've sometimes wondered to myself if this is where Reeves and Mortimer got the inspiration for Mulligan and O'Hare from - there's a disturbed yet gentle folky oddness about it which instantly puts one in mind of men addicted to hormone replacement therapy tablets.

Besides that, the album is littered with clumsy philosophical references (try "The Quest for the Holy Grail" for some interesting thoughts on religion), childlike naivete in tracks like "The Magic Story of the Park-Keeper and His Fairy Godmother" - which incorporates some very odd honking, experimental improv-jazz noises - and the sheer determined stridancy of the track "I Feel Like Going Out (And Doing Something Quite Important)" (my brackets, not theirs) can't be ignored either. The word I would use to describe "Hot, Cold & Custard" is 'charming' rather than 'brilliant'. It has a restrained feel about it and an innocence which make it a peculiarly gentle piece of hippy-ish work. Once every so often you can detect a note of agitation in either Peter or Gordon's voice, only for it to be soothed down by the next lilting chorus.

What really cannot be ignored is the volume of people - and particularly psychedelic collectors - who seem to adore this album, so perhaps my personal viewpoint is rather unfair. There's also no question that there are some top quality moments to be had on here, the track "Uncle Hartington" being one particularly humorous moment which, if you're a fan of the more toytown end of psychedelia, you'll absolutely love.

That the album didn't find an audience probably shouldn't be considered too surprising, as it's neither fish nor fowl. Not way-out enough to find favour with the hippy movement, nor lyrically straightforward enough to please the Mums and Dads, "Hot, Cold & Custard" was Peter and Gordon's final piece of work. Following its failure, Gordon Waller went solo and recorded Jimmy Webb's "Rosecrans Boulevard" which really pushed the boat out and is a must-hear - but that's another story.

Sorry to say that I downloaded this album from a bit-torrent site as well - I try to only include my own CDs and vinyl on this blog, but I thought that this one was too interesting to let go.

Tracklisting:

A1. I Feel Like Going Out
A2. Freedom is a Breakfast Food
A3. Never Ever
A4. The Magic Story of the Park Keeper and His Fairy Godmother
A5. Sipping Wine
A6. Greener Days
B1. You've Had Better Times
B2. The Quest for the Holy Grail
B3. She Needs Love
B4. Uncle Hartington
B5. 'Cos You're A Star


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