Year of Release: 1983
I was watching "Top of the Pops" on BBC4 a few weeks back, and Paul Young appeared to perform "Come Back and Stay" with his backing group The Royal Family. There were two surprises to be enjoyed in that nostalgic televisual package. The first was that "Come Back And Stay" was a far better single than I remembered it - maudlin, eerie, slightly angular and as unusual as a mainstream, bluesy pop track can get away with being. The second surprise was the camera panning round on to the backing singers, one of whom I remembered having a weird childhood crush on. "Didn't they actually have a single out of their own?" I asked Twitter.
And here we are. Kim Lesley and Maz Roberts were singers not just for Paul Young, but also as participating members of Jools Holland and His Millionaires. Finding that their career as session voices for hire wasn't delivering everything they wanted out of life, they broke away to record this single. It's unsurprising that they were given the opportunity - they stood out visually, having an in-your-face, fun-loving, camera-friendly image which ensured that they hogged almost as much screen time as Mr Young when they appeared with him.
The small Bright label picked up the tab and let them in the studio to record this, a cover of The Rolling Stones "Last Time". In common with a vast array of other sixties covers in the eighties, this takes the minimal riffs of the original and gives them a rigid, staccato synth pop backing. This may have worked once for Soft Cell's take on the Northern Soul smash "Tainted Love", but for other contenders (including Tik and Tok's "Summer In The City" and Glass Museum's "Daytripper", and Naked Eyes "Always Something There To Remind Me" - though that was, to be fair, a hit in some countries) it proved fruitless, and this was no exception. Not helped by the fact that the prissy BBC took exception to the group name Fabulous Wealthy Tarts and apparently refused to play it, "Last Time" sank faster than the gumboots of a man foolishly trying to cross the Thames Estuary by foot at low tide.
As to whether it deserved that fate, judge for yourself. In common with many of Paul Young's covers, it's a complete reboot, taking the raw stomp of the original and replacing it with laser-eyed modernity. When people take risks and attempt complete rewrites of songs rather than performing mere bog-standard covers, it's usually to be applauded. In my considered opinion, though, tracks like "The Last Time" mainly work because they're so gritty and grimy sounding in the first place - as soon as you scrub them clean and remove that aggressive swing, what you're left with is very polished, precise repetition with little atmosphere. The pair try to take the song in interesting new directions, but ultimately it's too bluesy and slight to be up to the challenge.
They never did release another single, but returned to their other duties instead. As for the woman I had a strange "Top of the Pops" crush on, she (Maz Roberts) entered a relationship with Paul Young's bass master Pino Palladino, and eventually married him. Who could blame her? He managed to create noises I never could summon from the depths of my bass guitar, and he also had the distinct advantage of not being an incredibly underage boy, thereby enabling her to have a normal relationship which wouldn't involve being placed on the sex offender's register. But he's still a git anyway.