Sixties instro-pop with - on the flip - a distinct Joe Meek feel
Year of Release: 1963
What could be better than a sixties guitar instrumental about everyone's favourite footwear - then and now - Chelsea Boots? The boots with an elasticated removal strap at the back which always gets used with rushed relief at the end of the day when you need to remove an agonising new pair of the things (I still think some kind of minor medal should be awarded to anyone who has endured a month of discomfort trying to wear a new pair "in").
As you'd expect, the A-side here has a typical, merry Carnaby Street skip about it, perfect for swinging your shopping bag along to having bought such shoes. It sounds perfect as incidental backing music, but perhaps lacked a strong enough melody or hook to become a charting single.
The flipside generally tends to be more discussed online. "Samantha" apes Joe Meek's production style so much that I only hope he never heard it. If he had, I'm sure the familiar scream of "Rotten pigs!" would have been heard, closely followed by some objects being thrown around the room. Clearly, it's not as precise or as clean a style as Meek managed, but it's a neat imitation.
There seem to be a number of stories online about who The Embers actually were, with some people pointing out that they were a band from the Basildon/ Billericay area of Essex. However, the book "Tapestry Of Delights", which we should probably consider to be the most reliable source of information, states that they were from Edinburgh and consisted of Alan Bomfort on vocals, Peter Bottomley and Jimmy Cruickshank on guitar, Jimmy Hush on drums and Willie Syme on bass. Given that "The Embers" sounds like one of those racy, common-or-garden rock and roll group names, it's possible that there were two bands operating under it at the same time, one largely based in Scotland, the other down south. If anyone knows for sure, please let me know.
Another release under the name David and the Embers ("What Is This?") also emerged in 1963, which also sheds doubt on the official verdict. Was "David" a new member or Alan Bomfort adopting another name (and why would he do that)? Whatever the truth, neither single was a hit and the group seemed to disappear not long afterwards.