Ex-Sweet man Mick Stewart's stomping Southern bar-room boogie boys
Year of Release: 1973
Mojo Hannah first came to my attention when a few months back, somebody wised me up to their hypnotic and delightful 1973 single "St. Jeremy". Sounding for all the world like a probable hit, "St. Jeremy" contains earthy early seventies rock grit in its fingernails but also the flamboyant sounds of a Cockney Rebel-esque fiddle and a pounding, repetitive and very vaguely artrock structure. It sounds like something you'd expect from some artschool glam rockers.
Hold that thought for a second, because Mojo Hannah were actually formed by ex-Sweet boy Mick Stewart, who was with that group for a mere year between 1969-70. On the other hand, don't don a pair of silver platform boots and put away all the breakables just yet. Far from being a stomping record filled with rockers about teenage rebellion and ballrooms being somehow "blitzed", or even a stylistic follow-on from The Sweet's earliest bubblegum days, the Hannahs largely produce a solid approximation of Southern country-rock across both sides of this LP.
"Six Days On The Road" is largely straight-ahead bar-room country rock, with plenty of squeaking cattle gut and songs about living one's life as a somewhat raucous individual. For fans of that genre, especially those who like it raw, unpolished and untroubled by slick production, there's lots to love here - the group sound as if they're on stage in front of you pounding their way through a series of songs which will probably mention Louisiana or the Mississippi Delta any second.
For my tastes, they're at their most interesting when they get into a stoned, hypnotic groove, and "St. Jeremy" is the absolute ace in the pack from that point of view - I was originally going to buy the single, until realising that I could obtain a copy of the whole album cheaper - and "Cajun Girl" isn't half bad either, with a gorgeous electric piano line combining with a repetitive beat and some beautiful close vocal harmonies from the boys. Excerpts from both tracks can be found behind the link, but don't necessarily treat them as entirely representative of the rest of the album.