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14 November 2021

Asterix - Everybody/ If I Could Fly

 

Sharp, throttling German rock tracks 

Label: Decca
Year of Release: 1970

OK, let's kick off with the basic facts: Asterix were a briefly lived German act who popped out one "eponymous" album in 1970. Simple, eh? Except, of course, there's a long shaggy dog story around both this group's origins and their continuation, and Asterix are a seldom noted transitional step between a respected beat act and their more progressive incarnation.

Guitarist Peter Hesslein, organist Peter Hecht, bassist Deiter Horns and drummer Joachim Reitenbach were all originally members of the group The German Bonds. After that band split in 1970, the members apparently took up Graphic Design study at art college in order to have sensible, dependable careers outside of rock music; however, a chance meeting with British vocalist John Lawton, a recent emigrant to Germany, ruined all that and seemed to have sprung them back into life again under a new name.

The LP recorded by the new outfit under the Asterix name has a clear, clean and sharp sound, and while it's frequently labelled as progressive or krautrock, in reality it's typical cusp-of-the-seventies fare, owing a greater debt to the more commercial end of hard rock at that point. While fanciers of long, wigged out, jazzy experiments will be deeply disappointed by their work, appreciators of sharp pop rock tunes and even the early rumblings of glam might be enticed by them, and this - their only single - is a good showcase.

The A-side "Everybody" is a simplistic, repetitive anthem which rips along brilliantly; you can imagine the group being a quality live proposition. The B-side "If I Could Fly", on the other hand, points towards a reliance on studied pop-rock songwriting over roaring bombast.
Once their LP slipped out largely unnoticed, they evolved into Lucifer's Friend who became a much more successful and dominant rock group in Germany. Lawton would eventually move on to become Uriah Heep's lead singer in the 1977 incarnation of the group.

This single is, then, a brief stop-off point ahead of a much more successful career for all concerned, but is frequently overlooked as a result of that, particularly in the UK where Lucifer's Friend made no major impact. This won't have been heard by that many German pairs of ears, much less British ones, but it's as fresh as a splash of ice cold water to a morning face, and worthy of your time.

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