Reupload - Reparata - Shoes/ A Song For All

Fantastic piece of mid-70s art-pop which should have been huge

Label: D'Art

Year of Release: 1975

1975 isn't renowned for being a year when a lot of quirky pop music found its way into people's lives, and the public were clearly crying out for some slightly skewed musical moments. They nearly got some, too - for this single is a prime example of something which only fell by the wayside due to a particularly tangled web of misfortune.

Reparata had previously had a modestly successful career with the sixties Brooklyn outfit Reparata and the Delrons, whose chirpy "Captain of Your Ship" single burst out of the USA and took the world by storm. Later in the nineties, to the complete befuddlement of everyone in the UK (or at least me) the very same song enjoyed a slight revival as the backing to a Mullerice advert, with Reparata's trilling, girlish words being mimed by a cartoon captain with an Uncle Albert beard who appeared to be commandeering a man's stomach. But let's park that thought for now, viewers, because things start to get even more confusing in a minute.

"Shoes" was originally issued as a promotional copy by Surrey International in 1974, then failed to make the shops for reasons which are unclear. Polydor picked it up for release in 1975, it became Tony Blackburn's single of the week, then immediately ran into enormous legal difficulties. Firstly, one of the remaining members of the Delrons claimed the rights to the Reparata name, and issued a legal challenge. This failed, but no sooner had that case been dropped than the independent D'art Records emerged crying foul, issuing an injunction and insisting that the rights to the single were actually theirs under the terms of a previous contract and Polydor had no business to be releasing it. Tedious music industry chaos ensued for some time before a compromise was reached whereby copies would be produced on both the Polydor and D'Art labels, both distributed and pressed by Polydor, with the profits presumably split in some undisclosed way.


Trouble is, by the time this resolution had been reached, radio had lost interest, the public had forgotten all about the record, and it stalled just outside the Top 40. And that's a ridiculous shame, because "Shoes" is a bizarre concoction - like a traditional Eastern folk song tugging on the sleeves of art pop, it skids and trips along so many different directions that it's actually fascinating. Filled with angelic backing vocals, a doomy, matter-of-fact vocal, and a worrying undercurrent, its observations on a family wedding day suggest some disquieting background is being left unsaid (or unsung).

It was rewarded in the South African chart where it climbed to number 6, but that really was the sole prize it received and Reparata's career never quite scaled the heights of the Delrons era again, although - as we may see at another time - her back catalogue is filled with some other oddities besides.

As for the song itself, it had been recorded by a variety of earnest folk artists (The (New) Settlers among them) before Reparata got her claws into it and really gave it a new atmosphere.