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Showing posts with label Dolphin. Show all posts
Showing posts with label Dolphin. Show all posts

11 February 2024

C.T.A.-102 - More Strangers (In The Cave Again)/ A Thousand Days



Label: Gale
Year of Release: 1980

Paul Carman was an unlucky chap, recording a lot of music in the seventies under the "Dolphin" moniker (we covered his rocksteady version of "Hey Joe" some time ago) which tended to take existing hit singles and tear them apart, forcing them into new shapes and guises. When it worked, it worked unbelievably well. His smooth FM take on "Goin' Back", for example, is an interesting version which adds a small droplet of sixties trippiness to the otherwise slick hug of the mid-seventies production.

He was a perfectly good songwriter in his own right, though, as this single - issued under the strange C.T.A.-102 moniker - proves. "More Strangers (In The Cave Again)" is a shimmering, pulsing New Wave track which in places sounds like Colin Newman out of Wire being ordered to write a hit. It's another example of a performer from another era managing to adapt to the changing tide with astonishing ease, but clearly falling flat on their faces because nobody in the punk or post-punk scenes liked a "pretender" (unless they were sticking two fingers up and mucking about for their own amusement like The Strawbs). 

Fortunately, there's better news for the modern man in that a freshly mastered version of the track is available on Bandcamp for streaming and buying, and the link can be found below.

9 August 2023

Reupload - Dolphin - Hey Joe/ Dubby Dubby

 



Mellow reggae take on the Hendrix/ Leaves classic

Label: Gale
Year of Release: 1980

The enigmatic Dolphin - essentially a solo project by songwriter Paul Carman given a group name - are one of those obscure seventies groups whose work hasn't yet excited the average record collector. Releasing smooth, FM radio takes on Byrds and Spector classics such as "Goin Back" and "And Then I Kissed Her", their earliest 1976 releases on Private Stock landed at a time when increasingly few people gave a damn for such sophisticated fare. 

A shame, as those singles would have been pretty enough to have reached a larger section of the public a few years previously. Despite their no-show on the charts, the project continued with gusto with a total of six singles on Private Stock, one LP ("Goodbye") and then finally this 45 and another LP on the small Gale label. 

"Hey Joe" is the one that seems to be picking up a little bit more attention now. While it's a rocksteady take on the Hendrix classic, inevitably it is somewhat inauthentic. It is a smooth and lilting attempt, though, taking The Leaves and Hendrix's wrath and angst and turning it into a despondent, low skank (can you actually skank despondently?) The passing of time has allowed the origins of this one to be forgotten and a few listeners to prick up their ears.

7 August 2019

Dolphin - Hey Joe/ Dubby Dubby



Mellow reggae take on the Hendrix/ Leaves classic

Label: Gale
Year of Release: 1980

The enigmatic Dolphin - essentially a solo project by songwriter Paul Carman given a group name - are one of those obscure seventies groups whose work hasn't yet excited the average record collector. Releasing smooth, FM radio takes on Byrds and Spector classics such as "Goin Back" and "And Then I Kissed Her", their earliest 1976 releases on Private Stock landed at a time when increasingly few people gave a damn for such sophisticated fare. 

A shame, as those singles would have been pretty enough to have reached a larger section of the public a few years previously. Despite their no-show on the charts, the project continued with gusto with a total of six singles on Private Stock, one LP ("Goodbye") and then finally this 45 and another LP on the small Gale label. 

"Hey Joe" is the one that seems to be picking up a little bit more attention now. While it's a reggae take on the Hendrix classic, inevitably it is somewhat inauthentic - try to push it on the nearest skinhead or dancehall DJ and you're likely to be publicly mocked. It is a smooth and lilting attempt, though, taking The Leaves and Hendrix's wrath and angst and turning it into a despondent, low skank (can you actually skank despondently?) The passing of time has allowed the origins of this one to be forgotten and a few listeners to prick up their ears.