Reupload - Nicky Scott - Honey Pie/ No More Tomorrows

Interesting attempt at making a slice of White Album whimsy a hit in its own right. 

(Plug - this is also one of a handful of singles I've currently got up for sale on ebay here)

Label: Pye

Year of Release: 1969

The mania for covering Beatles albums tracks in the sixties is such that I'm genuinely past being surprised at each new discovery I make. If the Fabs hadn't put it out as a single, it would seem that somebody somewhere had their own take ready to go. In this case, step forward Mr Nicky Scott, with your version of "Honey Pie" off "The White Album". That's right, "Honey Pie". Hardly what you'd call a chart-bound sound, although I suppose somebody at Pye must have fancied that its old school music hall arrangements might sell to an older demographic. It didn't, though.

There's not much difference between this and McCartney's version, except Scott's strange Brummie accent at the start. It stays true to the original version, though perhaps adds a tiny bit more recording studio polish to the sound, taking away some of the 78rpm styled reediness of the original. It's still a truly bizarre choice for a single, though, irrespective of any new production flourishes. The truly old-school sound might have seemed more commercial in the era of the Bonzos and the New Vaudeville Band, but as a song this didn't come close to approaching the style or wit of either group, and it's been largely disregarded by most Beatles fans since. 

Nicky Scott - Honey Pie/ No More Tomorrows

Label: Pye

Year of Release: 1969

The mania for covering Beatles albums tracks in the sixties is such that I'm genuinely past being surprised at each new discovery I make. If the Fabs hadn't put it out as a single, it would seem that somebody somewhere had their own take ready to go. In this case, step forward Mr Nicky Scott, with your version of "Honey Pie" off "The White Album". That's right, "Honey Pie". Hardly what you'd call a chart-bound sound, although I suppose somebody at Pye must have fancied that its old school music hall arrangements might sell to an older demographic. It didn't, though.

There's not much difference between this and McCartney's version, except Scott's strange Brummie accent at the start. It stays true to the original version, though perhaps adds a tiny bit more recording studio polish to the sound, taking away some of the 78rpm styled reediness of the original. It's still a truly bizarre choice for a single, though, irrespective of any new production flourishes. The truly old-school sound might have seemed more commercial in the era of the Bonzos and the New Vaudeville Band, but as a song this didn't come close to approaching the style or wit of either group, and it's been largely disregarded by most Beatles fans since. 

Nicky Scott had a long history in music prior to the release of this, having previously been discovered by Simon Napier-Bell and paired with the black female singer Diane Ferraz, creating an inter-racial duo which was, in the early sixties, a huge deal on the London gig circuit. Eventually Scott was signed to Immediate Records as a solo artist, and while there put out a couple of folk flavoured releases which are rather good - his version of the Jagger and Richards penned meditation on the pitfalls of hiring prostitutes "Backstreet Girl" is worthy of more than a casual listen. "Honey Pie" seems to have been the first release he attempted after Immediate lost interest, and did little to raise his profile.

Meanwhile, I await a 7" version of "Wild Honey Pie" with interest. There probably is one out there somewhere…