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Showing posts with label just william. Show all posts
Showing posts with label just william. Show all posts

16 June 2021

Herbie's People - One Little Smile/ You Never Know

 


Bilston beat boys back on the blog again 

Label: CBS
Year of Release: 1966

Herbie's People are no strangers to this blog - back in 2015 we covered their debut single and near-hit "You Thrill Me To Pieces". "One Little Smile" was their follow-up effort.

To summarise, they were unlucky coves, being the first group to record "Semi-Detached Suburban Mr James" before watching in horror as Manfred Mann nabbed the song shortly afterwards and sent it sailing chartwards. They were therefore denied one near-certain hit and didn't manage to stumble into an equally strong opportunity again. 

To aficionados of popsike, they're probably best loved for their excellent final single under the name Just William, "I Don't Care/ Cherrywood Green", issued on Spark in 1968. Their earlier material is much beatier and chirpier and lacks those moody, quirky harmonies. The Carter/Lewis penned "One Little Smile" is evidence of this - it's commercial pop music from the days when songs with few mixed messages or negative undertows could rule the roost. You meet someone, you fall in love with their smile, you write a two minute chirpy pop song about it. The pure innocence of it would probably have already seemed slightly quaint by April 1966 and it undoubtedly does now, but it passes the old grey whistle test with flying colours.

Sadly, despite this it sold incredibly poorly and did not build on the momentum created by their first disc. They would issue another single for CBS, "Humming Bird", in February 1967 before being dropped by the label and finding themselves on Spark the following year. 

28 June 2015

Herbie's People - You Thrill Me To Pieces/ Sweet and Tender Romance



Label: CBS
Year of Release: 1965

Formed in Bilston as Danny Cannon and The Ramrods in 1959 then going through a couple of minor line-up changes before becoming Herbie's People, this lot were a highly versatile live act in the Midlands area. Consisting of Len Beddow on lead guitar and vocals, Alan Lacey on drums, Herbie on lead vocals, Mick Taylor on guitar and vocals and Peter Walton on bass, they moved on from raw Buddy Holly styled rock and roll to diversify their style enormously to take on harmony pop and electric organ dominated melodies.

The band were apparently a powerful live force and seemed like an obvious shoe-in for the charts so far as their management and (presumably) CBS were concerned, but were dogged by bad luck. At one point they planned to release "Semi Detached Suburban Mr James" as a single but were beaten to the punch by Manfred Mann, who scored a hit with it instead (though Herbie's People's version was granted a US release). 

"You Thrill Me To Pieces" was also unlucky not to have been a hit and seemed dangerously close to becoming one after a lot of radio and TV exposure. It apparently appeared in some chart company's Top Forties, but not in the official run-down, and as such is technically a flop so far as the powers that Beeb are concerned. It's light, frothy, twangy and harmonic, and listen hard enough and you can just about hear the huge raft of influences the band had accumulated. 

I far prefer the B-side "Sweet and Tender Romance", though, which is so enjoyed by all popsike aficionados that it's available to buy through all the usual mp3 outlets (though you can listen to it on YouTube here). There's an droning, organ driven wooziness to "Romance" and steady climbing melody which makes you think that the band must have found moving with the times to absorb psychedelic influences to be a total breeze. And you'd be right - when Pete Walton left the group in 1968 they changed the group name to Just William and recorded the much-compiled and really very pleasing "Cherrywood Green" for Spark. 

That was by no means the end for Herbie's People, though. They reformed countless times to gig again on the Midlands circuit, but finally decided to throw in the towel, apparently for good, in November 2011. As we all live in times where bands get back together for one final hurrah on multiple occasions, though, who can say for sure?