Clive Sands - A Very Lonely Man/ You Made Me What I Am

Peter Sarstedt's brother with some breezy but introspective pop

Label: CBS
Year of Release: 1969

We've featured Clive Sands on this blog before with his frankly brilliant version of "Witchi Tai To", though this single is a bird of a very different feather. Where "Witchi Tai To" was a piece of summery psychedelic fantasia, all woozy chanting and haunting organ lines in a heat haze, "A Very Lonely Man" is breezy pop. The sort of pop that turned up more frequently in the early seventies, in fact - you can imagine Edison Lighthouse covering this one.

The flip "You Made Me What I Am" has a much more bluesy feel and will probably appeal much more to "Left and to the Back" readers, coming across like a Stones track being given a pop makeover. In fact, it was the work of Clive Sands' own pen.

Somewhat sadly, this release didn't transform Robin Sarstedt's luck, and was as much of a flop as his previous three releases on Simon Napier Bell's SnB label. After this, CBS clearly opted not to release any more of his recordings, and he shifted over to RCA to release a couple of other flops under the name Clive Sarstedt. By 1976 he was back on Decca under the name Robin Sarstedt with the top three single "My Resistance Is Low", and his previous struggles were quickly forgotten.

Reupload - Clive Sands - Witchi Tai To/ In A Dream

Label: Snb

Year of Release: 1969

"Witchi Tai To" is one of those songs which - despite its relative obscurity in the grand scheme of things - has been covered half to death.  Originally produced by the songwriter and saxophonist Jim Pepper as an adapted Native American chant which he learned from his grandfather, the single surprised a few people by getting to number 69 in the US Billboard charts.  It apparently remains the only track to chart in America which features an authentic native chant (although before anyone argues about it, I'm no expert when it comes to definitions of authenticity for such things).

It was then covered by counter-culture figures Brewer and Shipley, then somehow gained the attention of major league pop impresario Simon Napier Bell in the UK who decided to produce this slick version of it for the British market.  This was fronted by the mysterious Clive Sands who was, in actual fact, Peter Sarstedt's less successful brother.  This version of "Witchi Tai To" has picked up abuse from some quarters for being too poppy and inferior to the original, but I happen to think it's wonderful.  With an arrangement that increasingly swells as the song progresses and an almost hymnal organ underneath, it's no bastardisation of Pepper's intentions, just another brilliant piece of summery late sixties pop.  Where the original occasionally verges towards the pious, this is the sound of blissed out glee, almost explosively happy - even the needle damage on my copy can't destroy its intentions.  That it's been almost completely overlooked since its release is surprising - a recent compilation focussing on the output of Napier Bell's SNB label completely ignored it.

The flip "In A Dream" is rather more traditional popsike fare, but is also sweet in its own way.

Clive Sarstedt later changed his name to Robin Sarstedt - presumably to confuse people researching blog entries years in the future - and had a hit in the UK with "My Resistance Is Low" in 1976.  For my money, however, this flop is far, far better than that track, and it's certainly a notch or two above his brother's "Where Do You Go To My Lovely".

Clive Sands (aka Clive Sarstedt aka Robin Sarstedt) - Witchi Tai To/ In A Dream

Label: SNB
Year of Release: 1969

"Witchi Tai To" is one of those songs which - despite its relative obscurity in the grand scheme of things - has been covered half to death.  Originally produced by the songwriter and saxophonist Jim Pepper as an adapted Native American chant which he learned from his grandfather, the single surprised a few people by getting to number 69 in the US Billboard charts.  It apparently remains the only track to chart in America which features an authentic native chant (although before anyone argues about it, I'm no expert when it comes to definitions of authenticity for such things).

It was then covered by counter-culture figures Brewer and Shipley, then somehow gained the attention of major league pop impresario Simon Napier Bell in the UK who decided to produce this slick version of it for the British market.  This was fronted by the mysterious Clive Sands who was, in actual fact, Peter Sarstedt's less successful brother.  This version of "Witchi Tai To" has picked up abuse from some quarters for being too poppy and inferior to the original, but I happen to think it's wonderful.  With an arrangement that increasingly swells as the song progresses and an almost hymnal organ underneath, it's no bastardisation of Pepper's intentions, just another brilliant piece of summery late sixties pop.  Where the original occasionally verges towards the pious, this is the sound of blissed out glee, almost explosively happy - even the needle damage on my copy can't destroy its intentions.  That it's been almost completely overlooked since its release is surprising - a recent compilation focussing on the output of Napier Bell's SNB label completely ignored it.

The flip "In A Dream" is rather more traditional popsike fare, but is also sweet in its own way.

Clive Sarstedt later changed his name to Robin Sarstedt - presumably to confuse people researching blog entries years in the future - and had a hit in the UK with "My Resistance Is Low" in 1976.  For my money, however, this flop is far, far better than that track, and it's certainly a notch or two above his brother's "Where Do You Go To My Lovely".