The Wedgwoods - Cloudy/ Cold Winds and Icy Rain

 

UK Folkies cover Paul Simon. Now that narrows things down...

Label: Columbia

Year of Release: 1969

Much has been said about how much Bob Dylan shook up the folk scene, but for all his unquestionable influence, Dylan never came to the UK and roomed with British folkies before becoming a huge, multi-platinum selling artist. Al Stewart's old housemate Paul Simon did, and in the late sixties that created a peculiar phenomenon in Britain, with endless cellar bar strummers and back street Soho scruffs covering the man. 

You can't blame them. Not only was (is) Paul Simon an exceptional songwriter, but the glow of his success must have felt thrilling for every folk performer who shared a bill with him in his pre-fame days. If he could do it, after all, why couldn't they? And if they couldn't do it, well, the memories, oh the memories... (interestingly, the same principle doesn't seem to apply to Ed Sheeran or Mumford and Sons in the present day).

I haven't a damn clue if this was The Wedgwood's motivation for covering him, obviously, but they join a long line of others who did. The group were never at the cutting edge of the folk scene, tending to produce closely harmonised, bright melodic pop which easily found a home on Pebble Mill at One, unlike the more politicised or beatnik orientated acts on the circuit. To that end, this version of "Cloudy" is what you'd expect - clean, slick, rustic but not unfaithful to Simon's original design. In this case, credit also needs to be given to Bruce Woodley of The Seekers who co-wrote the track.

The B-side, on the other hand, couldn't be more appropriate for the current time of year and manages to make a short day in December sound almost appealing. 

The Wedgwoods had a long recording career, kicking off with "September In The Rain" on Pye in 1964 - which, many decades later, appeared in an episode of "Mad Men" as a cheap soundtrack buy-in for a cologne commercial - and seemingly ending with "Good Good Lovin'" on EMI in 1977. The group were  a safe pair of hands on the variety and light entertainment circuit, meaning they were a fair proposition for a lot of the major labels who presumably felt that the right television appearance at the right time might translate into a hit.

The Wedgwoods - September In The Rain/ Gone, Gone Away

Label: Pye
Year of Release: 1964

The identity of The Wedgwoods has, unfortunately, been a mystery for some time now.  Despite their two folky-sounding singles on Pye (of which this was obviously one) and five on Columbia, and the fact that they were releasing records as late as 1977, they are something of an enigma.

Here's the little we do know.  They supposedly consisted of four members, Betty Tiverington on vocals, David Tiverington on guitar, and two other individuals whose identities are unknown.  Specialising in a melodic strain of harmony folk, they appeared not to be part of any radical Dylan-inspired movement (although I'm prepared to be corrected on this) and this might ultimately have been a reason for their failure.

Apparently this likable version of "September In The Rain" received an encouraging volume of airplay in 1964 and was expected to break through into the charts, but obviously didn't capture the public's imagination sufficiently.  Hitless to the last, somebody at EMI obviously still had enough faith in their work to allow them to issue the album "Here Come The Wedgwoods" in 1976, a whole twelve years after this release was ignored.  Does anyone know who they were or why their careers continued for a long while?  My guess would be that they were known names on the folk circuit and had a niche following, but without any back-up evidence to hand this is all just speculation.